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Citric Art News
The acid touch that the solemn world of art desperately needs.
Casa Batlló’s “Arborescent” dazzles 110,000 art lovers in Barcelona
Casa Batlló’s “Arborescent” by Quayola attracted over 110,000 visitors with a spectacular audiovisual mapping in Barcelona.
Alejandro Glatt: art, travel and fruit as a sensory bridge
Alejandro Glatt’s work is centered on the use of fruits, maps and immersive experiences, invites viewers to touch, smell and feel.
The Rise of Fontanesi: The Viral Collage Artist Taking Over Instagram
Fontanesi’s viral Instagram collages redefine digital art trends. Discover how his surreal aesthetic is shaping online culture.
Conversations Between Andy Warhol and Russian Art: My Journey Through the Time-Defying Exhibition
The most striking was Warhol’s “Three Dollar Bills” series, which engaged in a dialogue with unique pieces by Russian artists.
Damien Hirst Finds Serenity in Peaceful Floral Paintings
Damien Hirst unveils a new side of his artistic prowess with the debut of his “Secret Garden Paintings” series at the prestigious Frieze London art fair.
Marlborough Madrid presents a project developed in several spatial modules whose axis revolves around the different ways of understanding color.
The first selection of works will establish a conversation within the field of op art between Bridget Riley (UK, 1931) and the scientist and artist Adrien Lucca (France, 1983).
Postponed Philip Guston survey finally opens at Tate Modern
The Tate Modern exhibition addresses the issue of the Ku Klux Klan at the start of the show with panels outlining that “Guston depicted racial injustice in his art from early on…
Welcome To Fabulous Las Vegas, the story of one of the most famous signs in the world
The 7.5m high, internally illuminated Las Vegas sign was designed by the late artist and designer Betty Willis.
The Metropolitan Museum of New York will pay tribute to the black painting of the United States
It is, according to the museum, a “pioneering and fundamental period in the art of the 20th century.”
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